stattberlin

2011

Jusqu'au bouddhisme

2012

Tribute to corners
Let's Burn 3D
Polychromatische Reisen
Wohlfühlgeschäftsverkehr
My name is...
The Dangers Of Wisdom
Make Space Make Dust
New Berlin Painters
Entaktet Euch!
Twice upon a time...
Berlin, Baleine, Balloon
Meditation/Mediation
In the making
Michael Ebert, Ghosts
Last Sup(p)er
A place near Vahna

2013

Burnt Stars
Hunter + Gatherer
de ce dracu nu-i vindem?
(con)temporary space-time (MPA 2013)
Kriechen. Zielen. 休息
Mai Kawakita
EASYstattBERLIN
  Martine Saurel, "Dominos"
Veronique Pozzi, "Intertwining Mindfulness"
  Loran Jacob, "Merci qui?"
  Chun-Ya Yang, "The second Island"
Johanna Perret, facebook girls
Johanna Perret & Amandine Zaïdi, "Les Répliquants"

2015

Levan Manjavidze, PUER
The Priestess is Present
Nobushige Kono
St. & St. At short notice
Ultimate stattberlin

Ultimate stattberlin

Ultimate stattberlin

Video night @stattberlin

Fri 04.09.2015

From 7 pm

Dear friends,
After three years of intense activity and more than thirty exhibitions, the incredible adventure of stattberlin has thus come to an end. On this occasion, we are pleased to invite you to our ultimate event which will be dedicated to video art. Video screening and installations, video live performance and DJ sets will be on the menu.

Zabo Chabiland (http://zabo-chabiland.com)
Lan Hungh (http://www.lanhungh.tk/)
Kevin Morrison (http://kevinsteelemorrison.com/)
Pauline Payen (http://www.paulinepayen.net/)
Damien Sayer (http://damiensayer.tumblr.com/)

10 pm
VJing session: Hadron, aka Martin Holzmeister (www.hadron.ws)
Sound: VONVERHILLE (https://soundcloud.com/vonverhille)

11 pm - DJ set
Poperttelli (https://soundcloud.com/poperttelli)
VONVERHILLE (https://soundcloud.com/vonverhille)
and more

Nobushige Kono

Nobushige Kono

It was a bright cold day in April, and the clocks were striking thirteen.

Exhibition Aug 29 - 30, 2015
Opening: Sat, Aug 29, 6pm
Open on Sun, Aug 30 and Mon, Aug 31 (3-7pm)

Nobushige Kono's practice has mainly been focused on exploring the situation of images in the digital age, with careful consideration to how images are produced, distributed and perceived. The world of today is imbued with images. So it might be impossible to understand reality without thinking about images. But it is also clear that the images we have are already edited and altered in many cases. Therefore, it is crucial for him to find a way of dealing with postproduction itself through his own practice. In this context, found materials have a vital role, because they can be recycled through his own postproduction process to deconstruct their original functions, attempting to probe the conditions from another perspective.

http://nobushigekono.tumblr.com/

St. & St. - at short notice

St. & St. - at short notice

opening: friday, august 21st

19:00 - 22:00

open on

saturday and sunday, august 22nd and 23rd

15:00 - 18:00

Entspricht die von uns erwartete Geschwindigkeit in der Verarbeitung von Informationen noch unseren Möglichkeiten? Gelingt es uns in einer Welt der sich rasant austauschenden Nachrichten noch das Wahrgenommene umfassend zu reflektieren? Wie entscheiden wir welcher Inhalt von Bedeutung ist? Ist unsere spontane, kurzfristige Beurteilung von Informationen nur mehr willkürlich? Sind wir noch im Besitz der Kontrolle oder haben wir uns im Kontrollverlust bereits eingerichtet?

Mit ihrer 2-Rauminstallation „at short notice“ beziehen sich St. & St. auf die anhaltend beschleunigte Informationsgesellschaft und die daraus resultierenden Auswirkungen auf unsere Wahrnehmung.

*** english ***

Does our expected speed in processing information correspond with our abilities? Do we succeed in reflecting the perceived in a world of swiftly exchanged news? How do we decide which content is of importance? Are we still in possession of control or have we already arranged ourselves within the loss of control?

With their 2-room-installation „at short notice“ St. & St. relate to the constant accelerated information society and the consequent repercussions towards our perception.

http://st-and-st.blogspot.de/

The Priestess is Present

The Priestess is Present

Pauline Payen

Kevin Morrison

Levan Manjavidze

Opening on Sunday 16.08.15 at 17:00 till 22:00

---

Bipolar Blues

Lunatic Pique

Saturnacy

Delirium Hypochondriasis (quite like this one even though it's bit difficult)

Just Madness

Blue-Devils, Low-Spirit

Frenzy Insanity

Aberration Spleen

P.P.

Levan Manjavidze's PUER

Opening on Saturday 08.08.15 at 19:00

Show will run until 14.08.15

Opening hours everyday from Monday 15:00 till 19:00

An Irritation of Spirit

Once upon a time I entered in a cave. There, some multi-layered portions of space were encountering flat surfaces.

I saw pieces of bodies, bits of walls, sections of plane colors, smooth fading members, shiny chromatic organs, worm-like faces, jumping elements, lions, hearts, fingers, plants, separated components, married substances, crying children, clothes, mixed grounds, waves.

Flat Man, a.k.a Devil Doll, a.k.a Slutty Penis-Drama king of Heart-Baby Face Killer, likes to use the word ambivalence. Or ambivalent.

I think it s a word to make sense out of our general and inevitable confusion, in the perceptions we have from the world. (Generally words do)

He brings together an image, in a dissected image.

As function body and brain, as eye and hand... Well yes: it s a painting.

The color shifts here, the subject is stuck there. And over here, and there, an alive-eye in a tinted-block does not move of an inch.

Later, there will be blood. Later, there will be love.

The symbols appear just like the faces, stage after stage, layer after layer: mazed. It s a puzzle.

Representing pieces of the world, maybe as a cohabitation of worlds.

Find an impossible harmony.

Is it faith? Is it magic? Hope is magic and magic is faith, and so because faith is hope, no surprise that the snake eats his tale and the cat licks his ass.

I mean, You can't grasp the world in an image, but intricate some ambivalent elements, like catching a fish with a worm..?

Peut être.

Paula Parker

NEOs researcher @ Borderline Art Center, Houston, Texas.

Johanna Perret
facebook girls

vernissage: 4th oct. 2013 - 6pm

This work deals with notions of normative beauty and the normalization of the criteria for seduction established in popular culture. The portraits’ models come from Facebook profile pictures, selected for their composition. This series tells a story of the search for ideal and perfection, which, irreparably, ends in failure. By a certain way, one can say that the medium gives back individuality and originality to the models who, thanks to their re-found imperfections, become again more human instead of being simple replicas. To summarize my way of thinking, I would say that this work calls into question our perception of the canon of feminine beauty by disturbing the stereotypical images which are ones which, originally, perpetuate this quest for perfection and normalization.

Johanna Perret

ricegreen opens at stattberlin!

http://ricegreen.tk/

project space opening featuring artists:

naftik - live musik

https://soundcloud.com/naftiksound

lan hungh - performance

http://www.lanhungh.tk/

levan manjavidze - painting

http://levanmanjavidze.com/

jerome karsenti - painting

http://.jeromekarsenti.com/

mai kawakita - painting

http://www.maikawakita.com/

Friday 20. Sep 2013, concert starts at 6pm

stattberlin

lottumstrasse 1

10119 berlin

18. 07: Martine Saurel, "Dominos"
23. 07: Veronique Pozzi, "Intertwining Mindfulness"
26. 07: Loran Jacob, "Merci qui?"
29. 07: Chun-Ya Yang, "The second Island"
31. 07: Johanna Perret & Amandine Zaïdi, "Les Répliquants"

Mai Kawakita

Mai Kawakita
Solo exhibition: Sat, June 22 - Sat, July 06, 2013
Vernissage: Sat, June 22 (7-10 pm)
Finissage: Sat, July 06 (7-10 pm)

http://www.maikawakita.com/

+ video projection with the music of Paco Vallejo
http://pacovallejo.de/

8.30 pm: Experimental music performance (ambiant, field recordings) by C-drik
https://new.myspace.com/cdrk
https://soundcloud.com/cdrk-1

Every moment, series of 81 pieces, 2013,
watercolor on Japanese paper on wood, 4,9 x 10 x 3cm

Water color session 2, video projection, music by Paco Vallejo, 2013, 7,51 min

Every moment 2 - "I lose my colour", series of 34 pieces, 2013, watercolor on Japanese paper and wood, 4,9 x 10 x 3 cm

Every moment, series of 81 pieces, 2013,
watercolor on Japanese paper on wood, 4,9 x 10 x 3cm

Water color session 2, video projection, music by Paco Vallejo, 2013, 7,51 min

Every moment 2 - "I lose my color", series of 34 pieces, 2013, watercolor on Japanese paper and wood, 4,9 x 10 x 3 cm

Untitled, watercolor on watercolor paper, 2013, 246 x 114 cm

People, sculptures on pedestal, tea, ceramic, 2013,
Variable dimensions

Water color session 2, video projection, music by Paco Vallejo, 2013, 7,51 min

Untitled, watercolor on watercolor paper, 2013, 246 x 114 cm

Every moment 2 - "I lose my colour", series of 34 pieces, 2013, watercolor on Japanese paper and wood, 4,9 x 10 x 3 cm

Every moment, series of 81 pieces, 2013,
watercolor on Japanese paper on wood, 4,9 x 10 x 3cm

Water color session 2, video projection, music by Paco Vallejo, 2013, 7,51 min

Kriechen. Zielen. 休息

Hsuan Huang and Steffanie Lindner, Kriechen. Zielen. 休息

Opening: Fr, June 07 (7-10 pm)

Exhibition: June 08-09 (4-9 pm)

Abschlussarbeit der Meisterschüler der Universität der Künste Berlin Bühnenbild

"Zwischen einer Ausstellung und einer Musikperformancebewegen wir uns an diesem Abend durch die Inselwelt. Nach Alfred Schnittkes 'Requiem', Kafkas 'Die Verwandlung', durch Austronesien und andere Forschungsgebiete hindurch, stranden wir an geographischen, physischen und geistigen Begrenzungen oder Versperrungen. Begleitet von der Sehnsucht nach Jenseits, in ständiger Bewegung, getrieben von Ordnungswahn. Eine Wanderung. An vielen Inseln vorbei oder durch sie hindurch. Niederlassung und Flucht sind vollkommen freigestellt. Wir versuchen der Spur Austronesiens zu folgen, vom angeblichen Herkunftsort 'Taiwan' aus weiterzugehen, durch Käfers Blick, das Rätsel aus Todeswind rauszukrabbeln."

"Somewhere in-between an exhibition and a music performance, this evening we are moving through a world of islands. Based on Alfred Schnittke's "Requiem" and Kafka's "The Metamorphosis" through Austronesia and other areas of research, we are stranding at geographical, physical and mental borders and barriers. Yearning for afterlife, in permanent movement, driven by order. A tramp. Passing islands or diving into. Settlement or escape are totally facultative. We try to follow the trace of Austronesia, passing on from its supposedly origin "Taiwan", through beetle's eye, to crawl out of the puzzle.”

Translation: P. Krilles